Music

Arts Commentary: Reviving Memories of BSO Superstar Conductor Serge Koussevitzky

February 22, 2016
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Hardly any of the under-60s generation can tell you who Serge Koussevitzky was or what his legacy consists of.

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Concert Review: Boston Philharmonic Orchestra at Sanders Theater

February 22, 2016
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Elgar’s brilliant scoring in his Symphony no. 1 was front and center, in this performance not an end in itself but serving clearly expressive goals.

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Classical CD Reviews: Handel’s Water Music and the Vienna Philharmonic’s 2016 New Year’s Concert

February 21, 2016
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Nobody, these days, plays the music of the Strauss family better than the Vienna Philharmonic Orchestra.

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Concert Review: The Bard in Boston, Part 3

February 16, 2016
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The BSO’s Shakespeare festival has proven to be the most satisfying extended endeavor yet of Andris Nelsons’ directorship.

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Music Review/Commentary: David Bowie’s “Blackstar” and Norbert Stein’s “Das Karussell” — When Words Rule Music

February 16, 2016
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Both David Bowie and Norbert Stein present distinctive and subtle approaches to the hybridizing of poetry and music.

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Concert Preview: BSO’s Robert Sheena on George Tsontakis’ “Sonnets”

February 11, 2016
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The English horn, of course, is no stranger to haunting melodies.

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Fuse Music Interview Soul Journeyman Lee Fields — Reaching Euphoria

February 10, 2016
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Soul journeyman Lee Fields and the Expressions explore new territory.

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Concert Review: The Bard in Boston, Part 2

February 9, 2016
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Everyone on stage seemed to sense that this was a special occasion and the BSO, accordingly, played with an extra jolt of electricity.

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Jazz Review: Pianist Kenny Werner — Teaching “Effortless Mastery”

February 4, 2016
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“The problem is that more people get lost going to music school than get found.”

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Concert Review: The Bard in Boston – Part 1

February 2, 2016
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This season’s three-week commemoration of the 400th anniversary of Shakespeare’s death – the first such thematic series of Andris Nelsons’ BSO directorship – go off to a compelling start.

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