Music

Music Preview: Soul Man Cometh — Nick Waterhouse

May 5, 2019
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The music Nick Waterhouse performs (almost all of which he writes) is consistently retro—not to mention relentlessly danceable and fun.

Classical Music Reviews: The Boston Symphony’s 2018-19 Season-closing Concerts

May 4, 2019
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The final two concerts of the BSO’s season were in the orchestra’s sweet spot.

Music Review: The de-Stones’d New Orleans Jazz and Heritage Festival 50th Anniversary

May 3, 2019
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“Forgiveness is the key and love is the answer… Have a good Jazz Fest, but also have a good life.”

Opera Review: A Sumptuous New Recording of Korngold’s “The Miracle of Heliane,” Centerpiece of This Summer’s Bard Music Festival

May 1, 2019
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Once much-performed, then banished from the stage by the Nazis, The Miracle of Heliane, now available in a fine new recording, is perhaps the best opera by the man who would become one of Hollywood’s leading composers.

Concert Music Review: The Boston Philharmonic plays Ives and Mahler

April 28, 2019
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This performance of Ives’ Third was the most welcome entry in the Boston Philharmonic Orchestra’s celebratory season – a beautifully considered, powerfully rendered account of this too-neglected score.

Classical CD Review: “Desires: A Song of Songs Collection” — Sensual Joy

April 26, 2019
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Desires will surely solidify ORA Singers’ reputation as a first-class choral ensemble.

Jazz CD Review: The Art Ensemble of Chicago — Still Out on the Edge

April 25, 2019
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Amid the continual flood of new jazz releases, this anniversary bash is one to be savored.

Concert Music Review: Violinist Itzhak Perlman and Pianist Evgeny Kissin — An Odd Dream Team

April 23, 2019
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A bit surprising — that two megastars choose such meat and potatoes repertoire.

Music Interview/Review: Nervous Eaters – Back for Another Helping

April 23, 2019
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Luckily for us, after playing the occasional electrifying concert date over the years, Nervous Eaters is reuniting once again.

Jazz CD Review/Commentary: Holly Cole — Sticking to the Standards

April 18, 2019
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I did want to use this CD as a springboard to engage with the question of how using material of a certain age tends to pre-select — and limit — listenership.

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