Music

Music Interview: Talking to Rocker Amy Rigby — Musician Turned Author

October 10, 2019
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“I’ve put out records by myself before, but this is like 10 times the work!”

Music Interview: “Going to the Place That’s the Best” — Norman Greenbaum Returns Home to Malden

October 7, 2019
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The hit 1969 song “The Spirit in the Sky” by Malden’s own Norman Greenbaum is the inspiration for one of several new works of public art.

Classical CD Review: “Free America!, Early Songs of Resistance and Rebellion” — Fight the Power!

October 7, 2019
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Enjoy Boston Camerata’s Free America! for its high spirits and its crafty, delicious way of making the iconoclasm of the past come alive.

World Music Review: Tinariwen’s Saharan Grooves

October 5, 2019
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Tinariwen’s music exudes determination, the soulful energy of ethnic resilience.

Classical CD Reviews: Christian Tetzlaff plays Beethoven & Sibelius, Rachel Barton Pine takes on Dvorak & Khachaturian, and Wagner’s “Siegfried “

October 4, 2019
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Christian Tetzlaff’s brilliant account of Beethoven’s Violin Concerto makes for a great album; Rachel Barton Pine’s versions of Dvorák and Khachaturian violin concertos are songful; orchestrally, Mark Elder and the Hallé Orchestra’s Sigfried is unfailingly colorful and fresh.

Classical CD Reviews: “To Paradise For Onions,” “Transatlantic,” and “Die Zauberflöte”

October 4, 2019
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To Paradise for Onions is a lovely album; Cincinnati Symphony Orchestra ‘s Transatlantic is spirited; Yannick Nézet-Séguin’s Die Zauberflöte is lost in the crowd.

Rock Album Review: John Powhida International Airport — “The Bad Pilot”

October 3, 2019
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Musically, The Bad Pilot encompasses the sound and feel of everything from Philly soul to new wave, hard rock, funk, and progressive rock.

Jazz Album Review: “Zigsaw: Music of Steve Lampert” — A Complex Dream

October 3, 2019
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For many listeners, Zigsaw will serve as a welcome introduction, not only to a virtuoso jazz ensemble led by an innovative leader, but to the music of composer Steve Lampert.

Music Commentary: Songs Ken Burns Overlooked in “Country Music”

October 2, 2019
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Country music is as rich and complex as any other genre, but given the inevitable marketing tie-ins, it might be a good time to offer the names of artists and songs that either weren’t included or were briefly touched on at best.

Jazz Review and Perspective: Stan Getz (and Everyone Else) in 1961 – “Getz at the Gate”

October 1, 2019
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Saxophonist Stan Getz knew whom to listen to and whom to borrow from, and the repertoire for the 1961 Village Gate gig was particularly satisfying.

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