Music
662 will appeal to hard-core blues fans along with those who want more of a hyphenated blues sound, be it blues-rock, blues-funk or blues-pop.
Two previously unreleased archival recordings take us on trips into the past well worth taking.
August Enna’s colorful and vividly melodramatic score does justice to the robust exoticism of H. Rider Haggard’s novel.
On first impression, John Williams’ second violin concerto didn’t strike me as an instant classic, but there’s more than a little here to warrant repeated listening.
This re-release features 72 minutes of unreleased music. Nearly every track on the two-hour set pushes the 20-minute range, with results more exhilarating than exhausting.
This disc from the London-based Kaleidoscope Chamber Collective pairs piano quintets by Amy Beach and Florence Price with Samuel Barber’s haunting “Dover Beach.”
This is a disc that begs for a sequel (or a whole series).
Roadrunner: New Light, New Machine is Brockhampton’s tightest album to date.
This world-premiere recording of Gluck’s Demofoonte is stylishly performed, under the experienced hand(s) of conductor/harpsichordist Alan Curtis.
Arts Feature: The Lockdown Underground — Discoveries in Isolation
Stuck in a world where regular shopping was rare and live performances extinct, the right path seemed to be the curls and swirls of mentions and references that led to surprising new or little-known artists and fascinating new levels of famous ones.
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