Music

Album Reviews: Echoes of Prog — Brad Mehldau and Circe Link & Christian Nesmith

April 14, 2022
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Recently, some artists have come out of the closet and put their prog hearts on their sleeves with new recordings that celebrate the heyday of progressive rock.

Music Commentary: The Streaming Cesspool

April 12, 2022
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When listeners outsource their listening to streaming organizations, as they commonly do, they are often directed to music that has been selected to fatten up someone’s bottom line, not to enrich and expand their musical lives.

Jazz Album Reviews: New Discs from Tomas Fujiwara’s Triple Double and Myra Melford’s Fire and Water Quintet

April 12, 2022
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These two superb new releases were both recorded at a former fire station in Connecticut.

Jazz Album Review: Guitarist John McLaughlin — The Montreux Years

April 11, 2022
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The album features seven tracks played by five different groups fronted or co-led by guitarist John McLaughlin.

“Listening During Covid, Part 10”: So Much Amazing Music to Discover!

April 10, 2022
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The record companies are bringing us unsuspected marvels from past and present that we might otherwise never hear, from astonishing Handel-era works and brand-new American pieces to elegantly performed guitar sonatas from 19th Century Vienna.

Classical Album Reviews: Mendelssohn Violin Sonatas and Piano Concertos

April 10, 2022
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Some substantial works by composer Felix Mendelssohn remain overlooked.

Music Interview: Cowboy Junkies’ Michael Timmins on “Songs of the Recollection”

April 10, 2022
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“I may second guess how a song was recorded. But I can say that all that we have done has come from an honest place.”

Classical CD Review: Cellist Nicolas Altstaedt plays Salonen and Ravel

April 9, 2022
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Cellist Nicolas Altstaed’s recording features a fascinating pairing of pieces by Salonen and Ravel, a stirring reminder of the mysterious powers of common origins and creative invention. Don’t miss it.

Concert Review: Pianist Jeremy Denk’s “Well-Tempered Clavier” — An Embarrassment of Riches

April 6, 2022
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I have heard many recordings of Bach’s work, but none had the vibrancy of what I heard in Jeremy Denk’s Sunday concert.

Rock Album Review: Elvis Costello’s “The Boy Named If” — Sly and Mischievous As Ever

April 5, 2022
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For all his verbal ingenuity, rousing chord progressions, and cynical smartass wit, Elvis Costello’s always tucked a raw, beating heart beneath his jaunty shades and devil-may-care grin.

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