Music
A music aficionado-turned-record producer shares his indelible memories of life on the road and in the studio, working with such artists Sleepy LaBeef, Irma Thomas, James Booker, Solomon Burke, Buckwheat Zydeco, and Ruth Brown.
Thankfully, there is no melodramatic black-and-white in James Kallembach’s fascinating 36-minute work, first performed at Boston University by the Lorelei Ensemble in 2017.
“Episode III. The Fall” is the most thematically focused installment in the four-part I Am the Moon saga so far.
Four! is one of Hampton Hawes’ most satisfying sessions, for the variety of the repertoire and the quality of the performances.
Our cup runneth over with tears — at this point, breakup albums may have overstayed their welcome.
This “serenata” (or chamber opera) with characters from Graeco-Roman mythology receives an elegant world-premiere recording that may bring a major composer out from the shadows.
Percussionist Tryshawn Sorey has released a trio disc of standards that may very well be on my 2022 Best of the Year list and a pair of “new” releases featuring the legendary pianist Bill Evans.
The album isn’t a dull listen because it hammers home the high anxiety that many are feeling, particularly in California, land of the forever drought and endless forest fires.
Trombonist Steve Davis says he never strays very far from the blues, and he proves it with this fine album.
Play or Die brilliantly showcases what Miles Davis heard in Tony Williams’ playing: variety of sound within a restricted framework.
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