Opera
Jonathan Berger’s remarkable chamber opera about the Mỹ Lai Massacre is a powerful artistic and anti-war statement.
HER | alive.un.dead proves that some stories are best told by trusting the audience’s imagination.
Swiss composer Richard Flury’s engaging comic opera is a celebration of the life spirit, and a criticism of celibacy as a practice that cramps and distorts an individual’s basic humanity.
A marvelous first recording of a highly engaging opera by Baroque composer Bernardo Pasquini, known until recently for a single piece: “The Cuckoo.”
By Aaron Keebaugh Lithe and economical, Boston Baroque’s superb production of Iphigénie en Tauride proved the old adage that less can be more. Iphigénie en Tauride, an opera in four acts. Libretto by Nicolas-François Guillard. Music by Christoph Willibald Gluck. Performed by Boston Baroque. Martin Pearlman, conductor. Mo Zhou, stage director. At GBH’s Calderwood Studio,…
A masterful composer of French Baroque violin sonatas displays another side of his immense talent in this first-rate new recording of his Scylla et Glaucus.
All in all, an ear-opening introduction to an important opera composer — and to the little-known tradition of German-language (with Italian touches) Baroque opera.
Meyerbeer’s Robert le diable paved the way for major works by Meyerbeer himself, Halévy, Verdi, Wagner (in German), Saint-Saëns, Massenet, and others — and this splendid performance shows why.
Festival of American Song Records has released an elegant, touching performance of the totally delightful half-hour long “Picnic Cantata.”
Aside from English pronunciation issues, the singers put over this remarkably polished and attractive opera by one of England’s great seventeenth-century composers with great panache, matching the superb instrumentalists.
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