Opera
Revelations continue: a composer best known for his sonatas and concertos (the Four Seasons) is a master of vocal music as well.
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I know no more thoughtful disquisition, for the opera stage, on basic questions of life, death, war, love, power, and resistance.
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Gil Rose’s team, headed by an incandescent Ellie Dehn as Catherine of Aragon, should help bring this major work back to the world’s opera-house stages.
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Alessandro Stradella’s Loving and Pretending (caa. 1676) gets a lively, precise, and characterful performance in this world-premiere recording.
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Odyssey Opera, and major singers from Ukraine and Russia, bring the great Russian composers’s three one-act operas to Jordan Hall on Sunday, September 25.
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A one-hour opera that the world forgot — a world-premiere recording of Saint-Saëns’s Phryné.
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An opera from Fascist Italy, Gino Marinuzzi’s Palla de’ Mozzi receives a splendid world-premiere recording. Should you listen despite its pedigree?
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A world-premiere recording of Richard Flury’s fascinating 1935 opera about love, deceit, and the possibility of forgiveness.
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I was pleased to encounter all three compact operas. Lennox Berkeley seems to me more and more an admirable, indeed lovable composer, and a bit of a chameleon. I like him in all his various colors.
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Thankfully, there is no melodramatic black-and-white in James Kallembach’s fascinating 36-minute work, first performed at Boston University by the Lorelei Ensemble in 2017.
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