Film
Clear some room on the mantle of cinematic disgrace for The Choice, an utterly drippy romance.
The Lady in the Van is quite enjoyable, but has a significant flaw.
Jean Epstein’s body of work is full of pleasures and surprises: this vigorous director broke ground for filmmakers and cinematic movements to come.
The President doesn’t try to drum up easy sympathy for its arrogant anti-hero.
Rickman was that rare actor whose low-key intensity was punctuated with just enough hilarity or insanity to make his characters unforgettable.
Land art is an outgrowth of the rebellious ’60s; radicalism taking the form of ambitious topographical rearangment.
The Golden Globes Equation: Glitz + Glamor + Action = Win.
The implausibility of The Revenant is jaw-dropping.
Despite being entrapped in a controlling social order, the sisters behave as most adolescents do: sometimes impulsively.
Fuse Remembrance: Bowie on Film — Ageless Enigmas
Bowie the Legendary Rock Star and Bowie the Fashion Chameleon were flashier, bolder, than Bowie the Cinematic Iconoclast.
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