Film
I appreciate the effort to bring back this rarely seen early Godard. But there are reasons this movie hasn’t been previously revived.
If Owen Gleiberman has any complaint against today’s world of criticism it’s that everyone seems to be speaking in one voice.
Demolition eschews the conventional, spinning its way to a completely unforeseen yet beautifully apt conclusion.
I was finally won over in the last act, when Everybody Wants Some! turns a little emotional, a little “girly.”
“I didn’t want to do anything more then hang out, watch films, have a few drinks and talk about movies.”
Being a gay teen trapped on a rural farm among homophobes who suspect you’re a child molester is a terrifying situation.
The really unforgivable thing about City of Gold: the dull, flat way in which the food is shown.
Xavier Giannoli’s Marguerite is a wonderful study of delusion and illusion, the deceptive power of love and faith.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters