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Simultaneously storyteller and player, ancient character and modern respondent, Denis O’Hare’s performance of “An Iliad” elicits the kind of respect automatically granted this genre of demanding monologual performance.
The best rock biopics, like “24 Hour Party People,” “I’m Not There,” and “The Doors,” aren’t afraid to get a little weird, even if it means throwing verifiable facts to the wind.
Susanne M. Sklar’s study is the best exploration of William Blake’s miraculously bewildering masterpiece that I know of — thoughtful, scholarly, imaginative, and supremely sympathetic to the poet’s ornery complexity as well as his capacity to inspire wonder.
The best parts of this book of interviews come when Charles Mingus or his collaborators talk about the music.
To The Wonder — the best American feature by far of 2013: beautiful, compassionate, tragic, transcendent.
In the wake of the horrors of last week, Jazz Week 2013 comes as almost an act of defiance, an insistence that life will go on in all sectors of the Boston community.
Moroccan poet Abdellatif Laâbi’s autobiographical fiction draws deeply on his own childhood in Fez during the late 1940s and especially the 1950s.
In my experience, few leave an Evgeny Kissin concert disappointed.
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