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This is Michelle Dorrance’s break out year, or perhaps more accurately the year people outside the intimate tap community got to know her by sight and reputation.
Rogue Burlesque will be performing an unfiltered homage to our fixation with nerd culture, from “Weird Al” Yankovic and Superman to Edgar Allan Poe.
The name of the band itself comes from a tune by the most “classical” of all jazz bands, the Modern Jazz Quartet.
Critics have been more than kind to “Museum Hours,” respectful of its sleepy intellectualism in a 2013 summer of brainless action flicks.
“North Shore Fish” introduces, but then glosses over, the potent issues of working class women struggling to support their families in dead-end factory jobs while their fisherman husbands remain out of sight.
The Peterborough Players have put together a “Seagull” that floats elegantly on nineteenth-century Russian and twenty-first-century American wings, simultaneously bright and dark.
But Mr. Ho’s Brian O’Neill had another idea. What if he took the very inauthenticity of the original music as a motive for putting together things that were never meant to go together originally? Like Bach’s Toccata and Fugue with a Balkan beat?
Arts Commentary: A Call to (Proper) Arms — Why a Science Fiction/Fantasy Fight Over Sexism Matters
Call it dueling futures. Because the battle for the soul of the science fiction and fantasy community is about nothing less, and even if we in the mystery community never considered the impact of a chainmail bikini, you may want to sharpen your broadsword.
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