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Theater Review: “She Kills Monsters” — A Delightful Celebration of Geekery

April 18, 2013
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“She Kills Monsters” provides a constant stream of creative, amusing, and outrageous moments.

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Book Review: A House of Many Doors — Gish Jen’s Tiger Writing

April 17, 2013
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Moving restlessly between independence and interdependence in style and content, the lecture captures the changeling quality that Gish Jen associates with those who must creatively manage multiple cultural influences.

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Book Review: “The Wanting” — Ambitious and Audacious Fiction about the Middle East

April 16, 2013
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There are so many characters to root for in “The Wanting” that you tend to read with your head swimming, and with an increasing sense of urgency as the senseless is revealed to have a logic of its own.

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Jazz Review: Chris Thile and Brad Mehldau At The Berklee Performance Center

April 16, 2013
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The wizards of mandolin and jazz piano were in perfect sync, blending styles and breaking barriers.

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Fuse Concert Review: Michael McHale and the Discovery Ensemble/Courtney Lewis

April 15, 2013
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Sunday’s concert had the Discovery Ensemble and conductor Courtney Lewis playing with uncommon vigor and focus: this was one of the most exciting symphonic performances that any local orchestra has given this season.

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Fuse Commentary: What Does the End of Newspapers Mean for the Arts in Boston?

April 15, 2013
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Recent changes in Boston’s media landscape do not bode well for substantial coverage of the arts. What do those in the arts world think about what is happening?

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Poetry Review: A Profound Respect for Place — Iraq and the Merrimack Valley

April 14, 2013
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David Allen Sullivan has no combat experience here or abroad, but his verse offers a poignant vision of the sights, sounds, and passions of the Iraq War. Matt Kraunelis replicates the landscapes of his hometown, planting the reader’s feet firmly in the Merrimack Valley.

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Poetry Review: Lapidary Ends — “Cut These Words Into My Stone”

April 12, 2013
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This anthology, made up of Michael Wolfe’s superb translations of ancient Greek epitaphs, begins in prehistory and ends in the sixth century C.E.

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Fuse Theater Review: “M” and the Torment of Artistic Freedom

April 12, 2013
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But if a dramatist butchers everything – what will can be put in its place? In the case of “M” it is nothing; nothing I can see or understand.

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Fuse Film Review: The Clichés of “The Company You Keep”

April 11, 2013
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The serious intentions of “The Company You Keep” are ultimately undermined by the parade of stock cameos.

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