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In the wake of the horrors of last week, Jazz Week 2013 comes as almost an act of defiance, an insistence that life will go on in all sectors of the Boston community.
Read MoreMoroccan poet Abdellatif Laâbi’s autobiographical fiction draws deeply on his own childhood in Fez during the late 1940s and especially the 1950s.
Read MoreIn my experience, few leave an Evgeny Kissin concert disappointed.
Read MoreIn a modest tweak of Dorothy Fields’ lyrics to the famous Jerome Kern song, this weekend will be Boston’s chance, via the Design Museum Boston, to sit yourself down, dust yourself off, and start all over again.
Read MoreIf I suffered half as much from the thought that most art has been lost as I suffer every day from the recollection of departed family and friends, I would be in a mental hospital. In this sense, I found myself resisting the message of “The Melancholy Art,” to the point that I felt that the book was laying a guilt trip on me.
Read MorePart of what made “The Dream Merchant” so compelling, and at times, harrowing, a read for me are its themes: love, loss, rags and riches, to be sure, but also the theme of aging, and associated loss of power and possibility.
Read MoreJames Longenbach’s ear for the nuances of diction, tone, stress, and the material aspects of poetry is so good, and his grasp of context and biography so assured, one wonders why the essays so often tie themselves into semantic and logical knots.
Read MoreIn her groundbreaking study, Tufts University professor Alisha Rankin essentially revises the history of medicine by showing that women, presumed to be marginal in the development early modern medicine, were actually major players.
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Cultural Commentary: Why is Boston’s Arts Coverage So Bland?
According to our docile mainstream media, Boston enjoys a perpetual Renaissance — the merchandise in the cultural window is always worth buying. And that predictability makes for very boring journalism.
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