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It wasn’t until 2009 that a trove of Florence B. Price scores was discovered in a dilapidated house in down-state Illinois and a revival of interest in this most remarkable of composers began in earnest.
Now that the real live boy is an old man, how’s he holding up in 2020?
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Relic draws on the debilitations of both time and space: the inevitable aging of the body and the places we call home, the inescapable repositories of memories, regrets, and the unknown.
Invisible Years is — simultaneously — an indispensable source and a distinguished work of art.
Sharp, simple, and well-attuned to the hopelessly grim tenor of these past few years, The Beach House knows how doomed we all are, says we deserve it, and prays that, after the tide comes in to wash us out, the rest will be left to flourish.
Hardly a portrait of glory from sea to shining sea, these tales drop in on estranged, lost, and overwhelmed people.
Crooked Hallelujah is a splendid debut, its intricately structured narrative following four generations of a matriarchal family from the Cherokee Nation of Oklahoma.
Khruangbin’s principal strength lies in how well the musicians manage to fit together
Performing Arts Series: Stories of Surviving COVID-19 — Non-Event
What lies beyond COVID-19 for the arts community?
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