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Mariama Diallo’s film is a subtle, sure-handed thriller that nevertheless delivers a stunningly deft commentary on the enduring horror of racism and sexism.
Human Resources isn’t for everyone. It’s even weirder than Big Mouth (which is saying something), though this spinoff series still packs, at times, the same heartfelt punch.
Sitting through Deep Water is like being trapped at an endless, sodden string of dinner parties that don’t go very well.
Even as an entry in such an idiosyncratic (and appealing) series, this case is one of the most personal our protagonist – a thoughtful, compassionate man – has faced.
In Good Harbor, poet Max Heinegg draws on his gift for lyricism as he considers his family, love, school, and the places he has been.
Two first-rate albums: pianist Lara Downes successfully reconsiders Scott Joplin and the New York Youth Symphony plays Florence Price and others with panache.
A subtle, elegant noir mobster film that maintains an aura of tranquility — until the violence begins.
Bad Vegan: Fame. Fraud. Fugitives. falls short because it is designed to be entertaining rather than useful.
Recommending The Spine of the Night depends on how much you’d like to see things like head decapitations, eye-gouging, and people being disemboweled in your high-fantasy animated features, in which case Spine is everything you could hope for and a whole lot more.
Where Roadrunner goes from here remains to be seen, but Billy Strings did his part to open the room with a bang of a blessing.
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