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This is a highly satisfying evening of light theater that provokes its audience to bursts of recognition, laughter and sorrow in quick succession.
ONE HUNDRED NAMES FOR LOVE is an intermittently engaging and very useful book for millions of partners, parents, children, friends and caretakers of stroke victims as well as anyone else interested in the workings of the mind.
SUBMARINE director Richard Ayoade has good taste. He loves movies so purely and energetically that it’s fun to watch him borrow from his favorites and patch together something new.
How many painters were taught by Rembrandt? How big was his school? Well, that is a matter for debate — to echo Donald Rumsfeld, there are the known unknowns. Then there are the unknown unknowns
In India, dosas are cooked on a griddle in the street, as well as in restaurants and homes. As street food goes, the dosa gets high marks. It’s not junk, and it tastes great. The Dosa Factory in Central Square, subtitled “Indian Street Food,” is a hole-in-the-wall–not for an evening of food and talk. But that’s not what street food is. It’s a quick fix, and for these purposes, it’s about as good as it gets.
This is adversarial criticism, with an eye on the martyred, fueled by grievances political and aesthetic — the return of the repressed as the comeuppance for the comfortable. No wonder Roberto Bolaño’s reviews garnered him fierce detractors as well as admirers.
Two New York stage productions offer sterling examples of going maximalist in an increasingly minimalist age
By Harvey Blume The beauty and power of Chauvet’s art, at once primal and sophisticated, tempers director Verner Herzog’s passion for Homo Sapiens bashing. We do, after all, belong to the very same species as those cave painters. Cave of Forgotten Dreams. Directed by Werner Herzog. At various New England cinemas. It was with some…
Ambitious, by turns captivating and exasperating, this sprawling book is like an enormous photomontage—that popular German art form of the 1920s—made up of textual mosaics from newspaper articles, diary entries, letters, novels, or, on occasion, FBI files.
Updated Local artist, curator and arts educator Susan Erony, whose text piece on silk “To Gloucester with Love” is a setting of a Charles Olson poem, gave a model of an arts center talk on the evolution of text as visual art.
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