Commentary
My thought was that it would exciting to invite high school students from diverse backgrounds to become better educated about arts criticism.
Read MoreDenis Johnson’s spiritual vision was dark and more than a little scary but also supremely generous.
Read MoreWhy do critics like the New Yorker‘s Peter Schjeldahl rush to absolve G.W. Bush?
Read MoreHypnotized by celebrity and the monied class, our stage critics have become a gaggle of cheerleaders, feckless enough to call Diane Paulus a “visionary.”
Read MoreI try to be optimistic, but it’s hard not to observe that the jazz club scene in eastern Massachusetts is worse than it’s been in decades.
Read MoreOn paper, at least, the upcoming season of the BSO is a bit of a letdown: cautious, unthreatening, comfortable.
Read MoreResistance, at least in Boston theater, is futile.
Read MoreThoughtful Branding underscores a community’s sense of place.
Read MoreThe nagging question: why didn’t the ICA didn’t create a building that offered options to be developed vertically?
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Theater Commentary: Trump, Julius Caesar, and Political Farce
If the ballyhoo around the Public Theater’s Julius Caesar is a sign of the times, then we have a lot more than Trump to fear.
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