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Leave it to guitarist Bill Frisell — he always knows where the musical goodies are to be found.
Seth Rogen puts in double duty as an early 20th century Jewish immigrant and his modern great grandson in a comedy that starts off sweet but leaves a bitter aftertaste.
This is a conductor and ensemble that have the measure of Max Bruch’s style and voice well in hand.
The Oxford band’s third album dispenses with personality in favor of bland trap pop.
This is not a music documentary, it’s a kind of jaunty-artsy immersion in and around the Newport Jazz festival, including scenes of the host city Newport, the America’s Cup race, festival goers, kids in playgrounds, etc.
This is a film for another moment in time, an imaginary if not necessarily utopian moment when being Jewish is less roiled and bedeviled from within and without.
Evaluations of a smorgasbord of Beethoven symphony recordings.
A supple, evocative novel that meditates on family and loss and art.
“I don’t like writers. . . . Writers are very despicable people. Plumbers are better. Used car salesmen. They’re all more human than writers.”
Visual Arts Commentary: Street Furniture — The Dilemma of Making Urban Spaces Comfortable and Unique
The City of Boston needs to think seriously about maintaining its distinctive charm, and street furniture is a very powerful tool to that end, when strategically applied.
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