Arts Fuse Editor
Conductor René Jacobs restores missing bits of this beloved opera’s story, and Ukrainian soprano Kateryna Kasper glows as Ännchen.
The People We Hate at the Wedding is far from one of the best entries in the comic wedding canon.
Intimacy, whether physical or emotional, is continually challenged in Julia Jacklin’s Pre Pleasure.
The series is wise to center its attention on Jeffrey Dahmer’s victims as often as possible. This is a heartbreaking saga of lives lost to a homicidal maniac.
Sometimes, cartoons should just be aimed at kids. The Soccer Football Movie has no pretensions: this is a glorious goof fest that draws on the hallowed tradition of slapstick comedy.
Billy Strings injects some contemporary vibes into Me/And/Dad, but this is first and foremost a back-to-the-roots album.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
What Kyle Abraham has done is to conjure up a wonderfully confusing vision into the myriad possibilities raised by the cycle of death and life again.
The artistic and design team at the Central Square Theater, in partnership with CHUANG Stage, have come up with an effective, thought-provoking 90-minute journey into a depressing aspect of the American story that was (and still is) rooted in xenophobia.
Arts Remembrance: Lucia Small, 1963-2022
This is a profound loss to cinema and to Boston’s filmmaking community in particular, a close-knit group in which Lucia Small enjoyed many friendships and engaged in fruitful collaborations.
Read More about Arts Remembrance: Lucia Small, 1963-2022