Arts Fuse Editor
Being part of the sprawling I Am the Moon endeavor has been deeply satisfying for this one-time solo traveler. “I’m proud of what we did,” Gabe Dixon said. “I put a lot of myself into this project.”
With gorgeous, vivid stop-motion animation overseen by co-director Mark Gustafson, this inspired collaborative effort carves its own lane among the many adaptations of the oft-told story.
She Said’s straightforward narrative avoids self-indulgent fanfare and invites viewers to appreciate journalism as a hunt for the truth that, in this case, inspired a cultural earthquake when the #MeToo movement rose up in its wake.
“It’s easy to see why we have such a lousy life and such great literature.”
Conductor René Jacobs restores missing bits of this beloved opera’s story, and Ukrainian soprano Kateryna Kasper glows as Ännchen.
The People We Hate at the Wedding is far from one of the best entries in the comic wedding canon.
Intimacy, whether physical or emotional, is continually challenged in Julia Jacklin’s Pre Pleasure.
The series is wise to center its attention on Jeffrey Dahmer’s victims as often as possible. This is a heartbreaking saga of lives lost to a homicidal maniac.
Sometimes, cartoons should just be aimed at kids. The Soccer Football Movie has no pretensions: this is a glorious goof fest that draws on the hallowed tradition of slapstick comedy.
Billy Strings injects some contemporary vibes into Me/And/Dad, but this is first and foremost a back-to-the-roots album.
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