Arts Fuse Editor
Offering a carefully calibrated, nearly static universe, Beth Gill relies on the audience’s imagination to fill in any question marks
Read MoreAll of three of these ballets adapted the classical vocabulary and demonstrated that constant evolution is what keeps classicism alive.
Read MoreWe are given a priceless opportunity to see how Matisse’s mind worked and the ways his creative process unfolded.
Read MoreArts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.
Read MoreA Dark Song’s terror lies in its slow, intense build and its overarching sense of doom.
Read MoreThis Sleeping Beauty teaches the audience that fussy costumes and wigs and long-winded storytelling are the apex of ballet.
Read MoreLydia R. Diamond’s dialogue is funny and cutting; when it needs to it digs deep, mining gems of psychological insight.
Read MoreMy 80-Year-Old Boyfriend is a joyous delight, an irresistible reminder that time flies.
Read MoreThis thoroughly cockamamy world offers the kind of guilty pleasure that you hope never ends.
Read MoreAlannah Hopkin demonstrates a near impeccable sense of craft, including a talent for coming up with surprises.
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