Arts Fuse Editor
Martín Espada’s lyricism sings deeply in the key of loss, turning the anguish of social and personal histories into hope.
Read MoreParadise‘s central conflict and the performances in the Underground Railway Theater production are damn good.
Read MoreKlaus Merz’s cunning, compressed prose invites us to listen for the sounds of the inexpressible, the other side of life.
Read MoreSeeing the rugged minimalism of golf in its infancy was very appealing.
Read MoreGet Out owes much to the small but precious film genre that dares to cultivate bizarre and hip satire.
Read MoreOlivia Kate Cerrone tells this story in raw, blunt terms, in a naturalistic mode worthy of Zola.
Read MoreThe Boston Conservatory production of Mass was mostly frustrating, but Leonard Bernstein’s score came across very strongly.
Read Moretemping is a strange and experimental beast, and I look forward to seeing where this type of interactive experience goes next.
Read MoreArts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.
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