Arts Fuse Editor
Josh Begley, in a mere six minutes, demonstrates how impossible the notion of a border wall is, from an engineering and construction perspective.
Heartland proffers a rare combination — it is a prescient history lesson that also works dramatically.
Demanding that people pay attention to quality is about as audacious a demand you can take in our giddy culture.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Pledge is Daniel Robbins’ third film, and his first really good one.
The authors let dance serve as a way of embodied knowing — an intelligence that can unlock an understanding of physics’ theories and abstractions.
This hardscrabble crime thriller is also a powerfully subtle character study.
Is there a future for challenging non-corporate theater (i.e. the fringe), and what does that future look like?
Here is what a smart, savvy viewer who likes high-quality entertainment is looking forward to on TV this year.
“I want our music to be genre-less. Actually I want it to be genre-more.”
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