Arts Fuse Editor
One sees how the keen observation and “truth to nature” that critic John Ruskin espoused was put into action by John Constable and J.M. W. Turner.
What is admirable about Conversations with a Killer is that it is as compelling an exploration of the monster’s victims as it is of Ted Bundy.
The question is whether this evening of dance was supposed to be engaging or enraging — or both.
Imaginary Beasts’ Winter Panto 2019 proffers plenty of enthusiasm, wit, and panache.
Jake Gyllenhall and company will survive this broad satiric lark, as will the art world.
Fuse writers Lucas Spiro and Matt Hanson once again bang their heads against the walls of some of art’s big questions.
Eric Dolphy fully deserves the renewed attention that this important release demands.
One of the key reasons that Sex Education works is due to its frank depictions of what sex, or lack thereof, is actually like in high school.
What few signs of the rich culture embedded in Danza Orgánica’s artistic director and choreographer Marsha Parrilla’s heritage made token appearances.
The Night Watch supplies a powerful kickoff for the Gamm Theatre’s 2019 season.
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