Arts Fuse Editor
Some may think that the western-genre-turned-arthouse-gimmick has been played out, but Damsel‘s fresh energy and pioneering spirit offers redemption.
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Ruby Rose Fox’s artistic/political mission with Salt is clear: the singer wants to look back at and revamp the radicalism of the ’60s.
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Being able to comfortably shift gears between “high” and “low” culture is one of the easiest ways in which a contemporary critic can gain the reader’s trust.
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L. M. Brown has also written poetry, and she brings some of that lyrical know-how to her promising first novel.
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The privilege Edith Wharton’s characters swim in has not disappeared. If anything, it’s expanded farther into the social stratosphere.
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Pepperland serves up the expected tie-dye nostalgia, keyed to a half-dozen Beatle tunes from the classic album.
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At this time in the Boston jazz scene, there are no ongoing spaces for big bands and, predictably, the number of such ensembles has shrunk.
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Nancy is mystifying, but in this case the inexplicable has its fascinations.
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Ethan Mordden’s volume openly defies anyone to dismiss the American musical as mere fluff.
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Visual Arts Commentary: Now + There — Reinterpreting Public Art in the Civic Environment
An organization dedicated to making Boston a vibrant, contemporary art city.
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