Arts Fuse Editor
What the box set makes adamantly, abundantly clear is how egalitarian Joe Strummer’s musical vision truly was. If you don’t already know his solo work, you should.
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Places Please! looks at the backstage life and trauma of performers.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Frankenstein is a gripping amalgamation of the elemental and the technological.
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Life Is Strange 2 makes no secret about its sympathy for Mexican-Americans in the era of Trump.
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The Clovehitch Killer is a creepy little movie about a creepy little idea, the parasitic kind that worms through the ear canal and eats away at brain matter.
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Though Al Stewart can’t hit the high notes like he used to, his distinctive, crisp voice is still strong and melodic at 72.
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Piercing choreographs its weirdness early and often.
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The strength of The Mars Room is its compelling vision of the stultifying and claustrophobic underworld of women in prison.
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Most of the time, Actors’ Shakespeare Project’s production of Macbeth is compelling.
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest