Arts Fuse Editor
A 1962 concert performance from Radio Italiana, now on CD, shows how delightful Wagner can sound without barking and slow wobbles.
The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.
This inspiring show celebrates the 100th anniversary of the founding of The Bauhaus.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
The disc is manna for lovers of assertive electric guitar, played by one of today’s top practitioners, in an unadorned trio setting.
Climax may be the director’s most fully realized attempt so far to suggest a state of madness onscreen.
Luca Guadagnino’s Suspiria is a landscape of the shadowy feminine, steeped in ancient magic, willful evil, and the cyclical round-de-lay of death and rebirth.
To be truly effective black humor must have us laughing at something we fear, regret, or at the very least recognize.
“It’s not a concert about despair,” observes Joel Cohen, “there’s a lot of festive music in it.”
Commonwealth Shakespeare Company’s production of Birdy is at its best when it focuses on the play’s central relationships.
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