Arts Fuse Editor
Maya Erskine and Anna Konkle turn in frequently hilarious but vulnerable performances as their adolescent counterparts.
We need stories like The Wages to expose the hypocrisy and incoherence of the institutions that we are supposed to believe are pillars of justice.
In the age of truthiness, poet Frederick Seidel’s is a welcome voice.
Once is a wonderful musical and the Speakeasy Stage production does exquisitely right by its considerable merits.
The Half-Light is a play about ghosts that, while offering intimations of mortality, ends up exuding a charming and infectious romantic spirit.
This is a finely-selected sampling of what some accomplished women filmmakers offered in 2018.
In very different ways and on very different topics, three recent books assuage notions that architecture/design books are formidable reads.
Imagine a combination of Stephen Colbert (the real one, that is) and John Updike.
We were overjoyed to spend this episode with Pulitzer prize winning critic, poet, and teacher Lloyd Schwartz. Stick around for the poetry of Richard Milhous Nixon, too
A B-movie par excellence, Greta’s the kind of unhinged and yet fiendishly well-calibrated genre fare that rarely gets afforded the attentions of a director as accomplished as Neil Jordan.
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