Arts Fuse Editor

Theater Review: “Mother Butterfly” — Grounded

November 6, 2018
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Mother Butterfly’s script shows genuine promise, but the Storm Warnings Repertory Theatre’s premiere production falls short.

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WATCH CLOSELY: “Maniac” — A Deliriously Clever Futuristic Fable

November 5, 2018
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Maniac is mind-bending entertainment that’s also an invitation to muse on infinite possibilities.

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Coming Attractions: November 4 Through 20 — What Will Light Your Fire

November 4, 2018
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Book Review: “Impossible Owls” — Beauty on the Margins

November 4, 2018
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Brian Phillips uses the essay form to map the limits of America’s cultural-historical imagination, from our highest achievements to our kitschiest expressions of who we think we are, and who we think everyone else is.

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Dance Review: William Forsythe’s Mind/Body Art Show

November 2, 2018
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One thing I liked so much about this show, besides the mental and physical challenges, was its use of really simple and mundane materials.

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Theater Review: “We Will Not Be Silent” — A Vital Cautionary Tale

November 1, 2018
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New Rep’s production of We Will Not Be Silent is an intelligent and profoundly moving work of theater.

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Theater Review: “Murder for Two” — Homicide Made Hilarious

October 30, 2018
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Driven by vibrant performances and exceptional design work, Murder for Two’s good-natured musical tale of murder makes it an ideal Halloween treat.

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Theater Review: “The Ferryman” – The Troubles, Once Again

October 30, 2018
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Broadway hasn’t seen a play this harrowing yet eminently enjoyable since August: Osage County.

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Film Commentary: FilmStruck Untimely Struck Down

October 30, 2018
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Why is the curtain suddenly dropping now on FilmStruck, a vast, diverse, and tastefully curated archive of films spanning the past century and the entire globe.

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Book Review: “The Fifth Risk” — No Citizens, Only Consumers

October 28, 2018
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Whether through disregard, willful ignorance, or strategic elimination, Michael Lewis gives us a glimpse of how parts of the government are being hollowed out.

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