Arts Fuse Editor
This world-premiere recording of Gluck’s Demofoonte is stylishly performed, under the experienced hand(s) of conductor/harpsichordist Alan Curtis.
Instead of techno-utopian rhetoric, Electrify offers a plan with pragmatic steps to create a better environment and a stronger economy.
Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year, and this month’s list includes Little Feat, Jonathan Edwards, Hot Tuna, The Red Detachment of Women, and Jimmy Witherspoon & Eric Burdon.
Cross-gender disguises and comic banter liven up the melodrama in this presentation of Antonio Cesti’s famous opera, thanks to a spirited and virtuosic traversal by a mostly Italian cast.
The volume’s spirited imagination is strong enough to compensate for flaws in its translation.
Director Michael Sarnoski’s first feature stars Nicolas Cage, and works as a mystery, a story of personal loss, and a foodie movie.
Many of the pieces in the collection come in the form of a personal diary, and these give us a sense of the day-to-day inner lives of the prisoners.
This is a lyrical work: gracefully exaggerating reality is a merit that good poetry and fantasy share.
William Parker, the 69-year-old composer, multi-instrumentalist, author, and all-around presence on the progressive jazz scene churns out challenging music with prolific abandon.
Book Review: “Books Promiscuously Read” — Playing in the Leaves
Books Promiscuously Read sets a high standard for what might become an exciting new genre of literary criticism for educated general readers.
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