Blake Maddux
“Playing with John Lennon was a big deal. He was very cool and very nice. Very much like the John Lennon that you imagine, you know.”
“As morality shifts,” NPR’s Ann Powers writes, “music does, too, helping people navigate those boundaries.”
“To me, ’67 was a year that was different from what came after it.”
Matthew Sweet and Tommy Keene return to town to brighten the Music Hall in Allston.
The Malden resident’s new album is particularly impressive under the circumstances — he suffered a major stroke in January 2016.
The album Northern Passages has left me without any doubt that The Sadies are worthy of every iota of praise they have received.
Mavis Staples’ colossal voice fully blanketed the entire venue and tucked its way into every nook and cranny.
Colin Hay need no longer worry about job security as a touring and recording artist.
If there is such a thing as upbeat melancholia, then Jens Lekman has got it down pat.
Tony Fletcher’s research is impeccable, his sources are unimpeachable, and his style is thoroughly engaging.
Arts Remembrance: Sonny Rollins, Jazz’s ‘Saxophone Colossus,’ Dies at 95