rock
The Blue Note Records president, producer, and bassist leads his Pan-Detroit Ensemble through original material and a freewheeling tribute to the Grateful Dead’s Blues for Allah at the Sinclair and Groton Hill Music Center.
“I love music, I play every day,” John Lodge says. “I don’t want to let the audience down or myself or the members of my band. They give me 150% every night so I have to be physically and mentally right for them.”
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Acclaimed emo band Have Mercy doesn’t deliver much that’s new on their latest LP.
A journal that is part travelogue, part music history, and part meditation on the evolution of our culture through the often-bloodshot eyes of one man.
American Football’s new album would be a fine effort for anyone but American Football.
There is no doubt that Marc Myers is doing noble work — if only Anatomy of a Song was more exciting to read.
If Real Life Rock‘s page count seems daunting, fear not. There isn’t an entry you’ll want to skip.
Lambert & Stamp will resonate with musicians who have experienced the volatile give-and-take that is needed to sustain and nurture a rock and roll band.
A Hard Day’s Night stands as a landmark in rock history because it exemplifies the Beatles’s joyously innocent starting point — today it delivers an irresistible sonic joy that comes from listening to songs that still rock after fifty years.
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