Naxos
This new recording would be a great, and inexpensive, way to enter the sound world of Rossini’s mature operas.
Read MoreThe composer of Les huguenots and L’Africaine was already an accomplished master at age 26, as this first-rate recording reveals.
Read MoreAt this point in his career, Mayr is contributing to the development of the musicodramatic conventions that would set the stage for the masterpieces of Donizetti, Bellini, and Verdi.
Read MoreJust in time for Passover: another fine world-premiere Rossini recording, the 1827 French version of his Moses-in-Egypt opera.
Read MoreMusicians active in Boston, Washington DC, and Australia discover previously unrecorded gems, including works by women composers and composers of color.
Read MoreThere are some smartly colored and well-handled performances here, but it’s hard to get past the recording’s unsatisfactory acoustics.
Read MoreThis splendid world-premiere recording proves that, as an opera composer, Johann Simon Mayr had “the whole package.”
Read MoreWorld premiere recording of an utterly delicious 1872 comic opera, recorded without spoken dialogue, so you can just revel in the music and the singing.
Read MoreMy Father Knew Charles Ives and Harmonielehre make an excellent pairing on the Nashville Symphony Orchestra’s new, all-Adams album led by music director Giancarlo Guerrero.
Read MoreA welcome political homage to Woody Guthrie, a new recording of Ethel Smyth’s 1931 choral symphony makes a strong case for a full reconsideration of her output, and David Lang’s rejiggering of Beethoven’s Fidelio is both stirring and timeless.
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