Naxos
The debut album of Decoda, the first – and, so far, only – affiliate ensemble of Carnegie Hall, and a disc featuring a trio of works by two mid-century Chicago-based composers, Florence Price and Leo Sowerby.
Read More
Auber’s 1831 “Le Philtre” (“The Love Potion”) is an engaging romp that helped give birth to Donizetti’s “L’elisir d’amore.” Immensely popular in his own day, why isn’t it revived more often?
Read More
An album that does admirable justice to one of the most prolific, significant, and increasingly long-lived composers of a remarkable generation.
Read MoreOpera Album Review: A Fittingly Fresh First Recording of a Flexible One-Acter by Donizetti’s Teacher
Johann Simon Mayr’s delicious L’Accademia di musica gets a spiffy performance from the “Rossini in Wildbad” Festival.
Read More
Rossini’s one-act opera from 1812 rings fresh changes on a host of comic-opera clichés.
Read More
This re-release of a superb recording of a major Meyerbeer opera reminds us what treasures are available to opera companies (and college opera programs) willing to step beyond the well-trodden path.
Read More
For Derek Bermel fans, Intonations is a must. For new music enthusiasts and the otherwise curious – ditto.
Read More
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read More
This first-rate performance highlights the special attractions of the “half-serious” operatic genre.
Read More
Halka struts its stuff, impressively, in this new recording with an all-Polish cast conducted by internationally renowned Gabriel Chmura.
Read More
Visual Arts Commentary: Sunshine and Shadows — Sundials, Where Art and Technology First Met