Jim Kates
This review, like the opening night of She Loves Me, is dedicated to the life and work of the late producer Harold Prince.
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In two short acts, playwright Win Wells depicts not so much a relationship as a fusion, a merging of identities into one single, complex personality.
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Thornton Wilder’s Big Ideas do not get lost in the hurly-burly of this production.
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David Lindsay-Abaire’s tightly woven comic script celebrates the everyday relationships that make up an argument for a full life.
Read MoreA manipulative entertainment that sets out to confuse theater and therapy.
Read MoreDavalos’s fast-paced wittiness and director Keith Stevens’ deft management of dramatist’s words and dramatic action keep us in stitches.
Read MoreFlawed and perhaps overwrought, The Whipping Man is worth watching because of the intensity of its individual scenes.
Read MoreAlan Ayckbourn’s Absurd Person Singular is a comedy of total narcissism — belly-laugh jokes accompanied by a cold cruelty.
Read MoreThe current revival of Laughing Stock, directed again by the playwright, has softer edges than I remember in the earlier one, played with fluidity rather than crackle.
Read MoreThe Peterborough Players have put together a “Seagull” that floats elegantly on nineteenth-century Russian and twenty-first-century American wings, simultaneously bright and dark.
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