Jim Kates

Theater Commentary: Is It the Right Time for “Our Town”?

August 6, 2021
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These days, I’m not in a mood to be comforted in the theater by either toasting or roasting chestnuts.

Poetry Review: Maureen N. McLane’s “More Anon” — Lots of Existential Fun

July 29, 2021
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Her poems are sassy.

Poetry Review: “Beowulf & Beyond” — A Rousing Night Out with Old English

July 25, 2021
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Translator Dan Veach invites us to “pull up a bench in the mead hall, grab a brew, and enjoy a jazzy new performance.”

Book Review: “In Memory of Memory” — Riven Recollections

March 31, 2021
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It is the loss of memories and the meaning of memory that dominate, generating speculations that draw the reader into and through Maria Stepanova’s argument and interpretations.

Poetry Review: Paul Celan — The Anguish of Writing in a “Damaged” Tongue

December 9, 2020
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Poet Paul Celan has come to embody in person and in print the agonies of a half century of European culture.

Poetry Review: Henri Cole’s “Blizzard” — Writing as an Act of Revenge

August 27, 2020
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In Henri Cole’s best poems, the outside and the inside interpenetrate and merge.

Poetry and Prose Review: Joseph Brodsky — Revisiting an Icon

June 27, 2020
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For a generation of Russians, Joseph Brodsky was the poet, almost a code-word in the discourse of the intelligentsia, like Nabokov.

Poetry Review: “The Mother House” — Poems with the Demeanor of Nuns

May 19, 2020
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In these poems, contemplation, serenity, and service are the order of the day.

Theater Review: “Robert Frost: This Verse Business” — Friendly to a Fault

February 9, 2020
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The overall effect is one of a genial, superficial club lecture on reading and writing poetry, punctuated by Frost’s Greatest Hits.

Theater Review: “Rose” — A Well-Acted Excursion in Storytelling

September 12, 2019
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Carolyn Michel’s Rose is the sociable stranger on the bus who tempts you to miss your stop so you can hear her out to the end.

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