A Reckoning in Boston demonstrates that fifty years after the bussing-era failures to improve the lives of Black people, there is, in James Rutenbeck’s telling words, “No justice, no truth, no reconciliation.”
There have been times in the MFA’s past when it hasn’t lived up to its educational mission, when it has pandered to the whims of the wealthy — particularly its fat cat benefactors.
The Arts Fuse welcomes a new character to its extended universe. Deanna Marie Costa, an editor and critic at the magazine.
An organization dedicated to making Boston a vibrant, contemporary art city.
The publication, its editor, and its over 60 writers believe that the health of arts criticism and the arts community are inextricably intertwined.
Two stories about how a public process, because of politics, can make it very difficult, and costly, to connect two points.
Bishop Harold Branch’s decades of supporting the gospel scene have not been ignored..
“There comes a decision-making process where some of the jokes, I’m like, I’m glad I never have to tell that one again.”
Madonna’s show made for spectacular eye and ear candy. But what was it all about? That’s where things got a little hazy.
Rarely is an actor so completely miscast in such a pivotal role.