Boston
The Boston Artists Ensemble found the tenderness and understated grace of Robert Schumann’s Piano Trio No. 2.
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A Reckoning in Boston demonstrates that fifty years after the bussing-era failures to improve the lives of Black people, there is, in James Rutenbeck’s telling words, “No justice, no truth, no reconciliation.”
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There have been times in the MFA’s past when it hasn’t lived up to its educational mission, when it has pandered to the whims of the wealthy — particularly its fat cat benefactors.
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The Arts Fuse welcomes a new character to its extended universe. Deanna Marie Costa, an editor and critic at the magazine.
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An organization dedicated to making Boston a vibrant, contemporary art city.
Read MoreThe publication, its editor, and its over 60 writers believe that the health of arts criticism and the arts community are inextricably intertwined.
Read MoreTwo stories about how a public process, because of politics, can make it very difficult, and costly, to connect two points.
Read MoreBishop Harold Branch’s decades of supporting the gospel scene have not been ignored..
Read More“There comes a decision-making process where some of the jokes, I’m like, I’m glad I never have to tell that one again.”
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Visual Arts Commentary: Sunshine and Shadows — Sundials, Where Art and Technology First Met
Considered the earliest integration of art and technology, sundials of various types have been around for 4000 years or so.
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