Boston Symphony Orchestra
At least waiting for Andris Nelsons to take over the orchestra is done. And we don’t have to bide too much time before we get to hear more from him: his first subscription series with the BSO kicks off on Wednesday.
Read MoreIt occurred to me that, given the variety of the Metropolitan Opera’s current problems, maybe General Manager Peter Gelb should consider putting this best of all possible Candides on his menu.
Read MoreTo judge from the BSO’s responsive playing and the audience’s enthusiastic responses, director-designate Andris Nelsons can’t do much wrong these days. Of course, a decade ago, neither could James Levine.
Read MoreConductor Charles Dutoit seems to have little affinity for Mahler’s distinctive style.
Read MoreIf “Salome” was a harbinger for what’s to come, we may be on the cusp of a golden era, indeed.
Read MorePianist Murray Perahia’s return this weekend, with Schumann’s A minor Concerto, seemed tailor-made on paper: he’s one of the world’s great chamber musicians and this concerto plays to all his strengths.
Read MoreBSO’s conductor emeritus Bernard Haitink may be best known for his interpretations of Austro-German repertoire, but, on Saturday night, he channeled his inner Francophile.
Read MoreSaturday’s reading of Lutoslawski’s Piano Concerto greatly benefited from pianist Garrick Ohlsson’s steely yet sensitive account of the solo part.
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Classical Music Commentary: Boston Symphony Orchestra Season 2014-15 — A Jolt of Energy and Stability
Most of the programs during BSO conductor Andris Nelsons’ ten subscription weeks look fresh and, if not outright adventurous, on paper they at least look more exciting than not.
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