Boston Symphony Orchestra
Saturday’s attendance hopefully warms the hearts of the BSO’s management. Not only was the house very full, but the assembly also included a healthy proportion of younger heads.
As they often do in repertoire that doesn’t turn up too frequently, the orchestra responded to the music with heightened sensitivity and attention to detail.
The BSO played with palpable enthusiasm. Andris Nelsons conducted with characteristic energy. There was, by the end of the evening, certainly, quite a bit about which to be happy.
At least waiting for Andris Nelsons to take over the orchestra is done. And we don’t have to bide too much time before we get to hear more from him: his first subscription series with the BSO kicks off on Wednesday.
It occurred to me that, given the variety of the Metropolitan Opera’s current problems, maybe General Manager Peter Gelb should consider putting this best of all possible Candides on his menu.
To judge from the BSO’s responsive playing and the audience’s enthusiastic responses, director-designate Andris Nelsons can’t do much wrong these days. Of course, a decade ago, neither could James Levine.
Conductor Charles Dutoit seems to have little affinity for Mahler’s distinctive style.
If “Salome” was a harbinger for what’s to come, we may be on the cusp of a golden era, indeed.
Classical Music Commentary: Boston Symphony Orchestra Season 2014-15 — A Jolt of Energy and Stability
Most of the programs during BSO conductor Andris Nelsons’ ten subscription weeks look fresh and, if not outright adventurous, on paper they at least look more exciting than not.
Read More about Classical Music Commentary: Boston Symphony Orchestra Season 2014-15 — A Jolt of Energy and Stability