Boston Symphony Orchestra
The intellectual and emotional intelligence of the docket stands as a conspicuous example of exemplary programmatic creativity.
To speak with Jörg Widmann is to encounter a mind furiously at work and aware of his craft as viewed through the lens of Western history.
It is unlikely that any other BSO concert this year will top Thursday night’s performance of Richard Strauss’s opera Der Rosenkavalier.
No doubt many in Saturday’s well-dressed crowd came for the opportunity to hear that most appropriate of gala pianists, Lang Lang.
That Shostakovich left such a musical testament is, in its own way, miraculous; and it continues to speak to us with immediacy and power.
There’s an apparent level of trust between the BSO and its leader, best demonstrated by the spirited excellence of the orchestra’s playing of late.
Nikolaus Harnoncourt’s final recording is the conductor at his best. Bernard Haitink helmed a great performance of Mahler’s Symphony no. 1.
Saturday’s performance revealed the BSO to be at the top of its collective game, totally locked in, and fully responsive to Andris Nelsons’ leading.
On the whole, 2016-17 is shaping up to be one of the liveliest Boston Symphony Orchestra seasons since the first years of James Levine’s tenure.
Music Commentary/Preview: 2016 Fall Orchestral Season Overview
In the six years I’ve now been reviewing for the Fuse, I can honestly say that the 2016-17 season looks to be one of the liveliest in recent memory.
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