Berklee Performance Center

Jazz Concert Review: Jason Moran and the Big Bandwagon Pay Splendid Homage to “One of the Original Big Bangs in Black Music”

February 21, 2023
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Jason Moran, as virtuoso pianist and bandleader, enacted all of jazz history at the keyboard, from ragtime to no time, as the saying goes.

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Jazz Concert Review: The Bad Plus — Say again?

November 20, 2017
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You could sometimes be halfway into a Bad Plus show before hearing anything like a jazz chord from pianist Ethan Iverson.

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Music Review: Singer/Songwriter Lucinda Williams — Americana Chanteuse

May 15, 2017
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The sense of place, the passage of time, the death-haunted imagery, and the coolly rhythmic verse gives Lucinda Williams’s songs their traction.

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Jazz Concert Review: John Scofield’s “Country for Old Men” — Well Worth a Visit

September 27, 2016
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Country for Old Men is surely going to stand as one of the best, as well as among the most unusual, recordings of the year.

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Music Preview: Saxophonist Grace Kelly — On Jazz and Beyond

May 19, 2016
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“My hope is that in the near future the mainstream music pendulum will swing much more heavily towards giving jazz the attention it deserves.”

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Fuse Music Preview: Joyce Moreno Meets Berklee

December 10, 2015
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Iconic second-generation bossa nova composer, singer, and guitarist Joyce Moreno.

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Music Interview: Fusion Violinist Jean-Luc Ponty and Jon Anderson Join Forces

November 11, 2015
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I just have to use all my personal musical experience — classical music and jazz and rock and electronic sound — and not worry about where it fits.

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Jazz Review: The Bad Plus Joshua Redman—Making Beauty Easily

October 28, 2015
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With the galvanic addition of Joshua Redman, The Bad Plus is now made up of four intense virtuosos.

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Fuse News: In March, Celebrity Series Will Help Us “Stave” Off Boredom

January 9, 2015
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Stave off boredom. This is going to be a smoking festival.

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Jazz Review: Jazz Superstar Esperanza Spalding Thanks October

October 6, 2014
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Esperanza Spalding is not simply beyond reproach – she is a young lioness the likes of which the jazz world has really never seen before.

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