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“Dance/Draw” at the ICA is a major exhibit about how moving bodies leave traces, what curator Helen Molesworth, not particularly originally, calls the “afterlife of dance.” To a lesser extent, it’s also about how visual artists think about motion when they’re not focused on particular bodies.
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The Oxford band’s third album dispenses with personality in favor of bland trap pop.
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Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year, and this month’s list includes Little Feat, Jonathan Edwards, Hot Tuna, The Red Detachment of Women, and Jimmy Witherspoon & Eric Burdon.
Read MoreActress Kate Lyn Sheil travels to Sarasota to star in a biopic where she will be filmed re-enacting TV broadcaster Christine Chubbuck’s suicide.
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What are the best new documentaries available on digital platforms? Read on.
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Our demanding critics choose the best films (along with some disappointments) of the year.
Read MoreDirector Judd Apatow has done a great job translating Amy Schumer’s humor and salty/sweet persona to the screen in Trainwreck.
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As The Flash crashes at the box office and audiences grow tired of multiverse sagas, creative mastermind Hideaki Anno has delivered two badly needed breaths of fresh air to a genre suffocating under the weight of its own cultural stagnancy.
Read MoreHelen Constantine’s new translation of Balzac’s “The Wild Ass’s Skin” serves this wonderful and weird book well. It is one of the great, black comic fables in world literature, a dazzlingly demented exploration of a society’s lack of imagination.
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Abbas Kiarostami was the most important filmmaker to come out of the New Iranian Cinema movement, which spawned works that became staples in film festivals worldwide from the late ’80s on.
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Arts Feature: Best Movies (With Some Disappointments) of 2025