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M. Night Shyamalan turns the trilogy topper he needed to make after Unbreakable and Split into a preposterous group therapy session.
I found Through a Screen Darkly to be as enlightening as it is useful: we don’t just read about and invest our emotions in other lives; we learn what to do about our own.
La Sylphide is full of magic. It might be about magic.
From the Berkshires to Cape Cod, and with a major stop in Beantown, Massachusetts is the place to be for the autumn jazz festival season.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
I wrote last week that the best films at the Tribeca Film Festival tended to be documentaries. Then I saw a scripted German film that turned out to be an exception.
The vicious, virtual, voyeuristic, and vicarious are on view at this year’s Camden International Film Festival.
An Arts Fuse regular feature: the arts on stamps of the world.
Visual Arts Commentary: What Would It Be Like If Women Ruled Israel and Gaza?
Perhaps asking that Judy Chicago’s exhibition not come was a necessary strategy in the short term, to help end Israeli brutality. But the lesson her show teaches us is necessary in the long term, so that Israelis will stop glorifying that very same brutality.
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