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An Arts Fuse regular feature: the arts on stamps of the world.
An Arts Fuse regular feature: the arts on stamps of the world.
Paul Muldoon is anxious to file dispatches from the front lines of Our Lives Now. That is one of the characteristics that separates him from most other poets writing today.
Here are two new and very different records from virtuosos of the jazz harmonica, both seasoned pros, and one of them deserving of much wider recognition.
New York Times dance critic Alastair Macaulay is on solid ground when he critiques the shape of the dancers, but why his insulting tone? How do we, as readers, judge a critic who describes a dancer’s body in a demeaning way? By Megan Trombino While sitting at the Boston Ballet‘s production of The Nutcracker (through…
I can’t understand why people are frightened of new ideas. I’m frightened of the old ones. — John Cage to Richard Kostelanetz, 1988
The enduring aspect of Paul Klee’s art is its playfulness, which bubbles up even out of this viscous curatorial treatment.
Feel free to disagree, add to them, come up with your own list, etc. Above all, enjoy!
For its 10th anniversary, the Boston Globe’s documentary festival expanded its cinematic field to a wide variety of genres and subjects.
Jazz CD Preview and Survey: Years of Utter Beauty, Part 2
Part one of this survey looked at one upcoming performance and five CDs where music takes the leading role. This post looks at the other side of the coin, where the words are the wellspring for the music.
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