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Mary-Beth Hughes’s penetrating glimpses into the depths of her characters’ lives make us more deeply aware of our own.
Ethan Mordden’s exhaustive take on Barbra Streisand may not be what diehard fans are looking for.
At its best, Lauren Yee’s vibrant play with music offers a compelling exploration of survivor guilt, the urge for revenge, the deforming power of the past, and the impossibility of finding justice for crimes against humanity.
The format may be different, but FKA twigs remains as hypnotic as ever on her album Caprisongs.
An annual gathering of superb new animation from around the world. This year’s standouts include “Oh Willy…” from Belgium and “Virtuoso Virtual” from Germany.
“No Hurry” is a book about aging: the conscious pang of the loss of past intensities, the treasuring of the quieter now, the achingly slow death of sex.
Woods Hill Table is the 153-seat culmination of a vision that encompasses the locavore movement in impressive fashion.
Old timers Ray Davies, an ex-Kink, and Donald Fagen, ex-Steely Dan, have released surprisingly youthful solo albums. “Morph the Cat” (Reprise); “Other People’s Lives” (V2) By James Marcus “Hope I die before I get old,” declared The Who’s Pete Townshend in 1965, and certainly there have been times, during his drink-and-drug-addled middle decades, when he…
The Disco Biscuits improvisations are not driven by a guitar-rock root: they are more apt to dive into a piece of classical music and then ease into a propulsive dance-club beat that eventually swerves into Zappa-style brainy grime.
One aspect of Newport I treasure is that it shows me, every time, how much I don’t know.
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