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Northlands lacks the infrastructure, diversity, and history of some of New England’s finest music fests, but its two-day debut provided a rustic oasis for jambands.
Echo in the Canyon is a sublimely moving documentary celebration of a nonpareil moment when, a half century ago, the Southern California scene boasted giants of music.
Celia Paul’s paintings are calm, reflective, and inviting.
The Arts Fuse begins a new regular feature: the arts on stamps of the world.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
What we know of mass-market choice suggests that the more choices a person has, the more likely it is that the person will be dissatisfied with any one choice.
“Caught by the Tides” eludes the narcissistic congratulation found in self-referential cinema because it absorbs Jia’s early work to create something that has the shock of the new, as much as it builds on the past.
This album is a remarkably mature effort. The Weeknd reflects on his long career while expanding on his earlier accomplishments.
A thorough sociologist, Carolyn Chen shows, step-by-step, how companies self-consciously appropriate religious language and rituals, creating a ‘theology’ in which work and purpose are perfectly aligned in the lives of their highest-value employees.
Music Remembrance: Gospel singer Lee Williams
A household name in Black America, Lee Williams had little need for the kind of crossover project that can earn a gospel act attention from the secular music media.
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