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By Aaron Keebaugh The point was made: this was not merely a revolt, but a revolution in sound. “It is a big revolt,” King Louis XVI exclaimed after the fall of the Bastille in 1789. “No Sir,” answered François de la Rochefoucauld, “a big revolution.” The events that followed shook France to its very foundations…
Most of the night’s visually tilted action took place within a tightly framed stage that made the presentation seem somewhat detached.
A critically acclaimed player in the New York avant-garde scene, Theo Bleckmann is clearly a Kate Bush connoisseur, and his commentary on her work was as compelling as the performances
Drunk Stoned Brilliant Dead is mostly a straight-ahead telling of the vivid life of the National Lampoon.
Nightcrawler is a vicious satire of the high stakes required to survive in an American free enterprise system where losers are kicked to the curb and winners take all.
Rosa Parks: Pure Love is a serious, substantial, and long work, alternately harsh and calming, one that I am sure should be seen as well as heard.
At its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.
While luminary thespians and film stars such as Brian Dennehy and Christopher Plummer have trod the Stratford Festival boards, let me sing the praises of two actresses: Martha Henry and Michelle Giroux.
There’s something special going on among the four musicians in BANN that is very promising—something that makes me want to see the band live. I hope one of our local bookers picks up on them soon, so I don’t have to go to New York City to do so. As You Like by BANN [Seamus…
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