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Like Lo Fi High Fives, Personal Appeal might not be a “best of” per se, but it is certainly a good entry point for those who have been daunted by R. Stevie Moore’s massive and impressive back catalogue.
Scissors is a roman à clef. But Stéphane Michaka has not composed a fictionalized biography mapping out the itinerary of Raymond Carver’s life. The novelist above all focuses on the creative process in which a writer named “Raymond” is involved.
Before he was a broadcaster, Mary Glickman was one heck of an athlete, a youthful hero in New York known as “the Jewish Red Grange.”
Singer/songwriter Paula Cole’s musical and personal journey has been a long, sometimes painful hejira.
Luis Buñuel would be proud of the scabrous scene in which the Davison clan sit down to supper and the civilized bourgeois meal turns to rot before our eyes.
The understated soundtrack by Texas musician Daniel Hart and the ominous cinematography of Bradford Young complement director David Lowrey’s keen sense of pacing.
Marian McPartland, who died on August 20 at the age of 95, was many things: a charming, gracious, and also tough-minded woman, an educator and mentor to many, an author, a business woman, and, lest we forget, a powerhouse musician.
Arts Fuse critics select the best in music and theater that’s coming up this week.
Alan Ayckbourn’s Absurd Person Singular is a comedy of total narcissism — belly-laugh jokes accompanied by a cold cruelty.
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