Posts
I Used to Be Darker is a movie of small pleasures, lots of them.
Reveries, the ice ballet that audiences will get to see in a special benefit performance this weekend, is Edward Villella’s translation of balletic structures and forms into contemporary figure skating technique.
Two new releases from Harmonia Mundi celebrate the sacred and secular sides of the Christmas season.
As the festival season draws to a close, a look back at the 2013 BeanTown Jazz Festival.
Lightning Bolt, Pearl Jam’s tenth and latest studio album, takes the band’s newfound (or at least newly re-found) appreciation for radio-friendly mainstream rock and successfully stretches its parameters a bit.
Interestingly, both of these powerful visions of horror root their avenging vision of mayhem in the brutal mistreatment of children.
A new disc of music by Martin Schlumpf, one of the leading figures in Swiss contemporary music whose career focuses on “the borderlands between improvisation and composition.”
The Boston Symphony Orchestra lacks a composer-in-residence. There are many local composers the orchestra might draw on were it to establish such a position, but few have the international reputation of someone like Thomas Adés.
Every few years, people ask, “Is Jazz Dead?” Nights like this, with living masters and future stars all paying homage to a dead legend whose music will live forever, refute the pessimism.
Classical Music Commentary: What’s Next for the Boston Symphony? — Lessons from the Past