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If “Salome” was a harbinger for what’s to come, we may be on the cusp of a golden era, indeed.
Read MoreDirector Wes Anderson’s “The Grand Budapest Hotel” presents a frenzied feast of lavish and preposterous set pieces, performances, and tall tales.
Read MoreArts Fuse critics select the best in music, dance, film and theater that’s coming up this week.
Read MoreStephen Hough’s performance of piano works by Brahms and Chopin was enthralling, poetic, and spellbinding.
Read MoreQuatuor Ébène burst into song. And I think it’s safe to say singing of any kind is almost never heard at a strings-only concert.
Read More“It seems now that quality spreads through reputation — the live show is where we really see bands pull away from the pack. It takes quality now to survive. Strong work.”
Read MoreAs if the Discovery Ensemble’s impressive return after a three-month hiatus weren’t news enough, last week brought the announcement that Courtney Lewis has been appointed assistant conductor of the New York Philharmonic, beginning this fall.
Read MoreIn “The Flick,” Annie Baker creates youngish characters that my students at Boston University would call “relatable,” exploring how self-delusions, stereotypes, and fear keep them from connecting in a meaningful way.
Read More“Notebooks, English Virtuosi, and Early Modern Science” makes a profound claim about the need for cognitive restructuring in the face of information overload.
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Fuse Views: This is What We Look Like — On “Selfies” and Self-Image
Sometimes using the Twitter handle #itsokKimNovak, at other times just linking to Laura Lipmann’s Facebook page, women – primarily writers and our friends – have started posting our own “raw” photos.
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